Photo, Print, Drawing [Resort ("Doheny Ranch") for Edward L. Doheny, Beverly Hills, California. "House C" exterior front showing landscaping]
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About this Item
Title
- [Resort ("Doheny Ranch") for Edward L. Doheny, Beverly Hills, California. "House C" exterior front showing landscaping]
Names
- Wright, Frank Lloyd, 1867-1959, architect
Created / Published
- [1923]
Headings
- - Houses--California--Beverly Hills--1920-1930
Format Headings
- Architectural drawings--1920-1930.
- Conjectural works--1920-1930.
- Elevations--1920-1930.
- Perspective projections--1920-1930.
- Plans--1920-1930.
Genre
- Plans--1920-1930
- Elevations--1920-1930
- Conjectural works--1920-1930
- Perspective projections--1920-1930
- Architectural drawings--1920-1930
Notes
- - Caption label from exhibit "Frank Lloyd Wright: Designs for an American Landscape": In this recently discovered drawing, ideas for a third house, "Type C", are developed. These ideas include a lower level with a roadway angling in and under the projecting terrace above, a feature dropped from the final perspective. Erasures visible in the perspective suggest that this roadway was originally indicated in that view. Attempting to reestablish practice in Los Angeles in 1922, Wright found himself challenged to propose new, more positive approaches than those being adopted by developers. He focused on one of the most enticing sectors of the large, undeveloped plots that skirted the city: the 411-acre Doheny Ranch, located in what is now Beverly Hills and later developed as the Trousdale Estates. The land was owned by Edward Laurence Doheny (1856-1935), then one of America's wealthiest citizens. How understandable for Wright to have sought Doheny as a client, and to have proposed a residential development of unparalleled scale. No records have been discovered to document any contact between Wright and Doheny, who quite possibly never met. It therefore seems that Wright prepared his design in the hope of interesting Doheny rather than in response to any actual commission. Few drawings survive, and they are largely pictorial; evidence suggests that all were completed during the early months of 1923. The proposal, unencumbered by the realities of an actual programme, suggests a prototype for a new type of Southern California suburb. Ample precedents for Doheny exist in Wright's own work-for instance his design for the Sherman M. Booth house (unbuilt; Glencoe, Illinois, 1911). The new elements of massiveness, textured masonry, and walled gardens seem partly inspired by Italian vernacular buildings, which Wright came to admire following a prolonged visit to Italy in 1910. During his stays in Japan, he discovered landscapes that joined buildings and plantings into one composition. From his fascination with pre-Columbian architecture-arguably a natural source for the indigenous expression he sought in California-came a renewed awareness of large-scale composition. Yet ultimately the conception of the Doheny Ranch was his. Fixity and mobility were to be joined in a single composition that anticipated, in both scale and function, more recent, adventurous approaches to the problems of the suburb.
- - Title devised by Library staff.
- - Forms part of: Visual materials from Donald D. Walker collection.
- - Published in: Frank Lloyd Wright: Designs for an American Landscape, 1922-32 / David G. De Long. New York: Harry N. Abrams, Inc., 1996, p.29, no. 21.
- - Exhibited: "Frank Lloyd Wright: Designs for an American Landscape, 1922-1932" at the Library of Congress, Washington, D.C., November 1996-February 1997.
- - Exhibited (1st venue): "The Imperial Hotel at 100 : Frank Lloyd Wright and the World" at theToyota Municipal Museum of Art (Toyota City, Aichi), October 21, 2023 - December 2023.
- - Exhibited (2nd venue): "The Imperial Hotel at 100 : Frank Lloyd Wright and the World" at the Panasonic Shiodome Museum of Art (Minato-ku, Tokyo), January 11 or 13 - March 10, 2024.
- - Exhibited (3rd venue): "The Imperial Hotel at 100 : Frank Lloyd Wright and the World" at the Aomori Museum of Art (Aomori City, Aomori), March 20 - May 12, 2024.
Medium
- 1 drawing : graphite and colored pencil on Japanese paper ; sheet 50.7 x 78.1 cm, mount 71 x 101.3 cm.
Call Number/Physical Location
- ADE - UNIT 2952, no. 5 (D size) [P&P]
Repository
- Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA http://hdl.loc.gov/loc.pnp/pp.print
Digital Id
- ppmsca 84878 https://hdl.loc.gov/loc.pnp/ppmsca.84878
- cph 3g02236 https://hdl.loc.gov/loc.pnp/cph.3g02236
- cph 3c21673 https://hdl.loc.gov/loc.pnp/cph.3c21673
Library of Congress Control Number
- 98512311
Reproduction Number
- LC-DIG-ppmsca-84878 (digital file from original) LC-USZC4-2236 (color film copy transparency) LC-USZ62-121673 (b&w film copy neg.)
Rights Advisory
- Publication may be restricted. For information see "Frank Lloyd Wright" (http://lcweb.loc.gov/rr/print/res/259_wrig.html)
Access Advisory
- Original materials served by appointment only.
Online Format
- image